- Natalie Palamides signs with Brillstein Entertainment Partners for management in all areas
- She continues with CAA for theatrical, UTA for voiceover, and DDO Artists Agency for brand deals
- Recently opened A24's Cherry Lane Theatre with her one-woman show "Weer," earning a Drama Desk Award nomination
- Brillstein's roster includes managers Alice Stites, Eliza Walper DeVone, Kenneth Lee, and George Heller
Actress, comedian, writer and director Natalie Palamides has signed with Brillstein Entertainment Partners for management in all areas. The acclaimed performer’s distinctive voice spans stage, TV, voiceover, and film, with credits including Netflix’s “Haunted Hotel” and Fox’s “Family Guy.”
Palamides’ new management team at Brillstein includes Alice Stites, Eliza Walper DeVone, Kenneth Lee, and George Heller, who will oversee her career across film, TV, and emerging media. She joins a Brillstein roster already deep in fresh comedy signings, the company recently brought on actor Ben Rappaport for management as well.
Most recently, Palamides opened the A24 Cherry Lane Theatre with her one-woman show, Weer, which she wrote, directed and performed, after debuting the character at the 2024 Edinburgh Fringe.
The show has her playing both halves of a couple in a fight, the left side of her body as the man, the right side as the woman, and toggling between the two mid-scene. She recently earned a Drama Desk Award nomination for her performance and is planning to tour the show nationally.
She continues to be represented by CAA for theatrical work, alongside UTA for voiceover and DDO for brand partnerships.
The signing comes amid a busy stretch of management moves across the industry, following similar deals like Dominique Fishback’s signing with Range Media Partners and Ally Nitibhon’s signing with Industry Entertainment for representation.
Takeaways
This is a big vote of confidence for Palamides’ bicoastal hustle, going from Edinburgh Fringe buzz to an A24-backed Drama Desk nomination in under two years is the kind of trajectory management teams want to lock down early.
Brillstein’s track record with comedy talent makes it a natural fit for someone whose work lives at the intersection of theater, animation, and voice.
Could a national tour of “Weer” be the springboard to a scripted TV deal? Will Brillstein’s TV development arm (BCP) push for an animated series built around Palamides’ style?
