- Brina Knauss has signed with Analog Agency for live music/touring representation across North America, South America, and Spain, with the North American territory being a new addition to her existing Analog deal.
- The signing is led by John Barry across all three territories, with Eve Cohen covering North America and Tony Abascal handling South America and Spain.
- Knauss continues with Vivo Concerti in Italy, Metropole Talent across Europe/UK (excluding Spain), and IDRA for management.
Brina Knauss, the Slovenian-born house and techno artist, has expanded her partnership with Analog Agency, adding North America to her existing deal covering South America and Spain.
John Barry leads the agreement across all three territories, joined by Eve Cohen for North America and Tony Abascal for South America and Spain.
The move builds on Analog’s recent momentum in the electronic music space, the agency previously announced North American signings for Henri Bergmann and Sorley earlier this year.
Knauss, who has been active in the scene since 2014, brings a full festival calendar to the table. Upcoming performances include stops at Afterlife Tulum, Zamna parties across India and South America, Drumcode at Sonar Offweek, and Belgium’s Tomorrowland.
On the music front, she made her debut on Interstellar Recordings in April 2025 with “Savannah,” a melodic house-techno single that showcases her classical roots. She also runs her own label EMPATH, launched in 2023, where she continues to release deep, immersive house and techno music.
She retains Metropole Talent for Europe/UK (excluding Spain), Vivo Concerti in Italy, and IDRA for management.
Takeaways
This signing is a clear signal that Brina Knauss is accelerating her global touring footprint, and Analog is the vehicle she’s chosen to do it.
The agency has been on a notable North American signing streak in 2026, and adding Knauss, a festival-circuit regular at Tomorrowland, Afterlife, and EDC, only deepens their melodic house/techno bench.
For an artist who launched her own label, dropped a major single on Interstellar Recordings, and is already booked across four continents, this feels less like a career move and more like a confirmation that she’s arrived at the next level.
With North America now unlocked through Analog, could Knauss be gearing up for a dedicated U.S. headline tour in 2026? How does the multi-agent structure (three agents across overlapping territories) shape the day-to-day routing of an artist like Knauss?