- Austrian country-Americana artist Niklas Juritsch has signed with Range Media Partners' Range Music label division, with Jack Minihan, the firm's Partner and EVP of Music, overseeing the deal.
- Juritsch continues to be managed day-to-day by Liam Sullivan of Nashville-based Deep Cuts Management for artist management.
- The Klagenfurt-born singer-songwriter is known for singles like "Meant to Be," "Born For Leaving," and "Cowboy Killer," and draws over 100,000 monthly Spotify listeners.
- The signing adds Juritsch to a Range roster that's been expanding fast across music, film/TV, digital, and sports in 2026.
Niklas Juritsch has signed with Range Media Partners, joining Range Music, the label arm of the firm’s music division. The deal is being led by Jack Minihan, who serves as Partner and Executive Vice President of Music at Range.
Juritsch continues to be managed day-to-day by Liam Sullivan of Deep Cuts Management, keeping his existing management team intact alongside the new label relationship.
Born in Klagenfurt, Austria, Juritsch has spent the past few years building a following that blends Americana, alt-country, and indie-pop influences.
His catalog includes early standouts “Meant to Be,” “Born For Leaving,” and “Cowboy Killer,” along with more recent singles “Like A Home” (2024) and “Down The Drain” (2025). He currently pulls over 100,000 monthly listeners on Spotify.
He’s also picked up live traction overseas, performing at the SpeedFest Music Festival at Brands Hatch in the UK in June 2025, on a country-leaning bill headlined by BRELAND.
The signing lands during an active year for Range Media Partners across its divisions. On the film/TV side, the firm added Vikings star Clive Standen for management and brought on Bridgerton‘s Claudia Jessie. On the sports and digital side, Range recently signed CrossFit standout Brooke Wells for representation.
For Range Music specifically, Juritsch joins a roster that already includes names like Jack Harlow, Shaboozey, and Tanya Tucker.
Takeaways
This looks like a team expansion rather than a representation shake-up. Juritsch isn’t leaving Deep Cuts Management behind, he’s adding a bigger platform on top of it, which suggests both sides see value in keeping the relationships that got him this far while plugging into Range’s broader music infrastructure and distribution reach.
For Range, it’s another data point in a pattern that’s been building all year: sign talent early and sign it broadly, across genres, mediums, and career stages, rather than chasing only established names.
Will Range Music’s resources push Juritsch toward a bigger U.S. audience, given his European festival footing so far? And could this be an early sign of Range building out a stronger Nashville-to-Europe pipeline for developing country and Americana artists?
