- Baby Jane has signed with SPIN Artist Agency for live music and touring representation across North and South America.
- She continues with Hallwood Media for management and Big Hassle Media for public relations.
- The move adds her to a Spin roster that has expanded fast in 2026, following recent signings of Fahlberg, Hannah Diamond, and Matt Sassari.
- Her 2025 debut album A Grave Marked Strange and viral singles have driven her rise to nearly a million monthly Spotify listeners.
Los Angeles electronic artist Baby Jane has signed with SPIN Artist Agency for live music and touring representation across North and South America, expanding her team as she builds one of alternative electronic music’s most talked-about live shows.
The agency represents electronic acts exclusively throughout the Americas. Baby Jane continues with Hallwood Media for management and Big Hassle Media for public relations.
Her sound blends witch house, hardstyle, and ethereal pop into what she calls “gothic house,” drawing on the melancholic pop of 1980s Russia and her family’s Soviet immigrant roots.
Since her 2025 debut album A Grave Marked Strange, she’s built a devoted fanbase known as The Coven and now draws nearly a million monthly Spotify listeners.
Viral tracks “Starry Eyed” and “Eternal Embrace” introduced her sound to global audiences, and she’s performed at major festivals including Niteharts alongside Zedd, Skrillex, and Knock2.
The signing adds Baby Jane to a Spin roster that’s grown quickly this year. The agency recently signed Fahlberg for the Americas excluding Argentina, brought on British pop artist Hannah Diamond for North and South America, and added French DJ Matt Sassari to its lineup.
Takeaways
Baby Jane’s signing points to Spin doubling down on artists building immersive, genre-blurring live shows rather than straightforward DJ sets, a pattern that lines up with its recent adds of Fahlberg, Hannah Diamond, and Matt Sassari.
Keeping Hallwood Media and Big Hassle Media in place suggests this is a focused infrastructure move for touring, not a full team overhaul. With nearly a million monthly listeners, this could be the piece that unlocks a bigger festival push across the Americas.
Will this signing pave the way for Baby Jane’s first major headline tour across North and South America? How will her genre-blending “gothic house” sound fit alongside Spin’s more club-focused acts? Could this be the first step toward a European or global agency deal down the line?
