- Stockholm DJ/producer Fahlberg has signed with SPIN Artist Agency for live music and touring representation across North and South America, excluding Argentina, with Jules Fieri leading the deal.
- He continues with Condor Tunes for Argentina and MFM Booking for the rest of the world, while EXS Management stays on for management.
- The signing moves Fahlberg's Americas booking away from Primary Talent International, who previously handled his global bookings.
- Spin keeps building its electronic roster, recently adding Hannah Diamond, Matt Sassari, and Will Sass.
Swedish DJ and producer Fahlberg has signed with SPIN Artist Agency for live music and touring representation across North and South America, excluding Argentina. Jules Fieri will handle his bookings at the agency, which represents electronic acts throughout the Americas.
The Stockholm native previously worked with Primary Talent International for global bookings. Under the new setup, he continues with Condor Tunes for Argentina and MFM Booking for territories outside North and South America, while EXS Management remains his management team.
Fahlberg has built a strong following in electronic music, earning support from Solomun, Black Coffee, and Pete Tong. His 2019 collaboration with Sebjak, “Chaka,” hit #1 on Beatport, and their follow-up “Somebody” reached #2 on the Melodic Techno chart.
He has released on Diynamic and Watergate, plus his own imprint No One Around, most recently through his three-part “Rhythms For Sale” EP.
This adds Fahlberg to a Spin roster that’s grown fast lately. The agency recently signed Hannah Diamond for North and South America, brought on French DJ Matt Sassari, and added New York artist Will Sass.
Takeaways
Fahlberg’s move to Spin points to a serious push for a bigger live presence across the Americas, where melodic house and techno keep drawing bigger crowds.
Splitting territories, Condor Tunes for Argentina, MFM for the rest of the world, shows a deliberate, market-by-market booking strategy rather than one global deal.
Could this be the start of a bigger US festival push for Fahlberg? Will his “Rhythms For Sale” momentum carry into headline slots across South America?
