- Parker McKenna Posey has signed with The Wayne Agency for Film/TV theatrical representation, with agent Terrece Lynn leading the deal.
- Posey was previously without agency representation, having parted ways with Innovative Artists and Paradigm Talent Agency.
- She continues with Contact Mgmt for management, keeping her existing team intact while adding theatrical agency muscle.
- The signing brings one of TV's most recognizable child-star-turned-adult-actresses back into full agency representation as she builds momentum with recent on-screen credits.
Parker McKenna Posey, best known for her breakout role as Kady Kyle on ABC’s long-running sitcom My Wife and Kids, has signed with The Wayne Agency for Film/TV theatrical representation. Agent Terrece Lynn, founder and CEO of the Los Angeles-based SAG-AFTRA franchised agency, will oversee the signing.
Posey, who has logged credits across Games People Play, A House Divided, Lockdown: 2025, and The Assistant, had been without agency representation after previously working with Innovative Artists and Paradigm Talent Agency. She continues with Contact Mgmt for management on the personal career side.
The move is consistent with a broader trend of talent re-entering formal agency representation, similar to how Alex Warren recently signed with UTA for film and TV representation as cross-platform talent seeks more structured theatrical backing.
The Wayne Agency, which recently expanded its reach by becoming Actors’ Equity Association franchised in early 2025, has been actively strengthening its theatrical roster, much like King Princess’s recent move to Anonymous Content for film/TV management signaled a similar push from boutique firms to lock in versatile, multi-demographic talent.
Takeaways
Parker McKenna Posey returning to formal agency representation is a smart play. She’s no longer the kid from My Wife and Kids, she’s a working adult actress with a steadily growing résumé and over 2 million Instagram followers.
Pairing that audience with a boutique agency like The Wayne Agency, which has been intentionally expanding its theatrical infrastructure, suggests both sides see a real runway here. Terrece Lynn has built her agency on personalized, hands-on representation, which could be exactly the kind of focused attention Posey needs to land the right roles at this stage of her career.
Can The Wayne Agency’s boutique, hands-on approach land Posey the kinds of prestige film and TV roles that bigger agencies like Paradigm and Innovative Artists couldn’t secure for her? Will Posey’s strong social media presence give The Wayne Agency leverage in packaging her for projects that blend traditional TV/film with digital-first platforms?
