- Geese has signed with Tyler Richman of Weekday Management for global management representation.
- The band exits its partnership with Willie Upbin of ICU Studio.
- Frontman Cameron Winter has separately signed with Weekday for his solo career.
- All other reps stay put: THE·TEAM for booking, Orienteer and We Care A Lot PR for publicity.
Geese has new management. The Brooklyn rock band has signed with Tyler Richman of Weekday Management, parting ways with Willie Upbin of ICU Studio. The band’s frontman, Cameron Winter, has also inked a separate solo deal with Weekday.
Weekday Management, which operates out of New York and Los Angeles, already handles Alex G, Skullcrusher, SPIRIT OF THE BEEHIVE and Hovvdy, putting Geese squarely in its indie-rock wheelhouse.
The rest of Geese’s team stays intact: THE·TEAM continues booking worldwide outside Europe and the UK, while Orienteer and We Care A Lot PR keep handling U.S. and UK press, respectively.
The switch lands during a hot stretch for the band, which released its acclaimed fourth album, Getting Killed, last year and followed it with an SNL musical guest slot in February, plus sets at Coachella and Governors Ball.
Geese heads back out this fall on its “Getting Killed Again” tour, kicking off September 29 at Nashville’s Ryman Auditorium. The band remains signed to Partisan Records and inked a worldwide publishing deal with Universal Music Publishing Group last August.
Management shake-ups have been common in 2026: The Braymores recently moved to Red Light Management, Heavy Hitter signed with Good Fight Management, and Adema joined Worldwide Entertainment Group.
Takeaways
Winter signing solo alongside the band suggests Weekday is betting on both the group’s momentum and his individual trajectory as a breakout voice. And with booking, publishing, and the label deal all staying untouched, this reads like a targeted management swap rather than a full team overhaul.
Does pairing Cameron Winter’s solo career with Geese’s band career under one roof create a smoother strategy, or new tension over whose priorities come first? Could Weekday’s tight indie-rock roster give Geese sharper festival and press positioning than a broader, multi-genre shop would?
