- GAZZ has signed with Paris-based Vesuve Agency for worldwide management and bookings, with Edouard Belin serving as his primary agent.
- The deal covers both management and live booking representation on a global scale.
- GAZZ brings a cross-platform audience of 62K on Instagram and 29K on TikTok with over 1.1 million likes, built around techno production and behind-the-scenes music content.
- Vesuve Agency specializes exclusively in electronic music talent and has previously signed artists such as Nico Moreno to its roster.
GAZZ, the French content creator and music producer known online as @gazz.fr, has signed with Vesuve Agency for worldwide management and bookings. Edouard Belin, head agent and manager at Vesuve, will oversee the deal.
Previously self-managed, GAZZ has built a loyal following across TikTok, Instagram, YouTube, and Twitch through viral FL Studio remix content, behind-the-scenes festival access, and original techno productions. He released “DRAGON,” a collaborative single with MaTTsh via Fixtnoir, and notably placed a production with gaming giant Ubisoft.
That kind of creator-meets-producer positioning is increasingly what agencies are chasing, as seen in moves like Genneya Walton signing with Strand Entertainment for management.
Founded in 2017 by Belin, Vesuve Agency is a Paris-based electronic music agency focused on developing international touring careers for its talent. GAZZ is the latest addition to their growing roster.
Takeaways
This signing is a signal of where the electronic music industry is heading. GAZZ isn’t just a DJ, he’s a content engine. With 1.1M TikTok likes, a Ubisoft sync credit, and a collaborative release already in the market, he arrives at Vesuve Agency with real leverage.
For Belin and the Vesuve team, this isn’t a speculative bet, it’s a talent whose digital infrastructure is already generating discovery at scale. The question now is whether Vesuve can convert that online momentum into consistent festival and club bookings worldwide.
Can GAZZ’s content creator identity become an asset on the festival circuit, or will it take time for bookers to take him seriously as a live act? Does signing to a boutique electronic-only agency like Vesuve give GAZZ an edge over going with a larger, generalist firm?
