- Jackson Marshall has signed with ROAM for worldwide live touring representation, excluding Europe and the UK, with Brandon Hughes serving as his primary agent.
- The deal covers USA, Canada, Mexico, South America, and Australia/New Zealand, and marks a formal upgrade from his prior booking home at Arrival Artists, which merged with ATC Live in September 2025 to form ROAM.
- Marshall is riding momentum from his 2025 STRIKE EP and the single "red car," which has broadened his fanbase and positioned him for more aggressive touring this year.
- The signing follows ROAM's recent indie and alternative roster expansions, including Double Virgo and EXIT VOID.
Indie-pop singer-songwriter Jackson Marshall has officially signed with ROAM for worldwide live representation excluding Europe and the UK. Brandon Hughes will serve as his primary agent across the USA, Canada, Mexico, South America, and Australia/New Zealand.
Marshall was previously booked through Arrival Artists, the U.S. indie agency co-founded by former Paradigm agents Ali Hedrick, Erik Selz, John Bongiorno, Karl Morse, and Ethan Berlin.
That company merged with UK-based ATC Live in September 2025 to form ROAM, now widely regarded as the world’s largest independent booking agency, with 80+ staff representing more than 800 artists across six global offices.
Marshall’s signing comes as his profile is genuinely rising. His 2025 STRIKE EP and nostalgic single “red car” have resonated widely, building on the emotional pull of earlier cuts like “Darling” and “i don’t remember the rain.”
The move formalizes his place within a growing ROAM indie roster that has recently taken on Double Virgo and EXIT VOID under comparable territorial arrangements.
Takeaways
This deal says a lot about where Jackson Marshall is right now, and where he’s headed. Getting formally signed to ROAM isn’t just a roster move; it’s a infrastructure upgrade.
With offices in New York, LA, Chicago, Paris, London, and Glasgow, ROAM gives him the kind of global reach that can turn a buzzworthy indie artist into a real touring force across multiple continents.
The decision to exclude EU/UK, likely covered by a separate European booking partner, is a smart split-territory play that keeps things clean and targeted.
Brandon Hughes carried a relationship with Marshall from the Arrival Artists days, so this isn’t a cold signing, it’s a continuation of an established partnership now backed by far greater firepower. That continuity matters in artist development.
With ROAM’s growing indie-pop roster, does Marshall get elevated by the company he keeps or does he risk getting lost among 800 artists? Is ROAM’s Arrival Artists lineage a long-term advantage for developing mid-level indie acts, or does the larger merged company change the culture that made those relationships work?
