- House of Harm has signed with independent boutique agency Tour Peachy for live music and touring representation in the United States.
- Agent Kyle Esbin will handle booking duties for the Boston darkwave trio stateside.
- The signing follows a run of 2025 releases, including the single "Can't Fight the Feeling" and the live album House of Harm on Audiotree Live.
- The band continues with Row Zero Talent Agency for Europe/UK booking and BLCKJEANS MGMT for management.
Boston darkwave trio House of Harm, comprised of Michael Rocheford, Tyler Kershaw, and touring member Blake Trevino, has signed with independent boutique agency Tour Peachy for live music and touring representation in the United States. Agent Kyle Esbin will oversee the band’s stateside booking.
The move comes on the heels of an active stretch for the band. Rocheford, Kershaw, and Trevino released the single “Can’t Fight the Feeling” in April 2025, followed by “Carousel” in June.
The band closed out 2025 with the single “Away Above” and a full live session, House of Harm on Audiotree Live, released that December. They built on that momentum by dropping a live document, The Concept of Harm: Live in Berlin, in March 2026. Their catalog also includes 2020’s debut Vicious Pastimes and 2023’s sophomore LP Playground, both released via Avant! Records.
Along the way, the trio has shared stages with Twin Tribes, The Chameleons, Editors, and She Past Away, and has played Cold Waves Festival and Absolution Fest.
House of Harm joins a Tour Peachy roster that has been expanding quickly in 2026. The agency signed Nashville’s The Sewing Club for US representation and Austin duo Street Sects for worldwide booking.
House of Harm retains Row Zero Talent Agency for Europe and UK booking, and stays with Joe Kelley’s BLCKJEANS MGMT for management.
Takeaways
Tour Peachy keeps zeroing in on the darker corners of guitar music, and House of Harm fits the pattern: a band with a loyal underground following, steady festival bookings, and momentum coming off a busy 2025.
Splitting the map, Tour Peachy for the US, Row Zero for Europe and the UK, mirrors the same territory structure Tour Peachy set up with The Sewing Club, suggesting a repeatable playbook for how the agency is building out its darkwave and post-punk footprint.
Does adding a dedicated US booking arm push House of Harm toward bigger festival slots stateside? With a live album already out, could 2026 bring a third studio LP to match the new booking muscle?
