- Mynolia has signed with global booking agency ROAM for live music and touring representation across Europe and the UK, led by agent Stuart Kennedy.
- The deal lands alongside her new single "Run Like Hell" and her recent signing to UK label Full Time Hobby.
- Her debut album, All Things Heavy, was released via Bronze Rat Records, home to Seasick Steve and Jon Spencer.
- She joins a run of ROAM's 2026 Europe/UK folk and alternative signings.
Nashville-based folk singer-songwriter Mynolia has signed with global booking agency ROAM for live music and touring representation across Europe and the UK, with agent Stuart Kennedy leading the deal.
Her sound is shaped by a life lived between Canada, New Zealand, Berlin, and, most recently, a remote cabin in the American South, where she spent two years writing, recording, and teaching herself production using field recordings and found instruments.
The result is a mystic folk blend, equal parts Berliner haze and Southern heat, drawing melodic inspiration from traditional folk choirs and Eastern flute music.
Her debut album, All Things Heavy, arrived via Bronze Rat Records, the label behind Seasick Steve and Jon Spencer, compiling tracks from her earlier self-released EPs.
She’s since signed to UK label Full Time Hobby, and the ROAM deal lands alongside her new single “Run Like Hell,” which introduces the next chapter of her sound.
The signing adds Mynolia to ROAM’s busy run of 2026 Europe/UK additions, following Minna’s Europe/UK deal, breathe.’s move into the territory, and Ashnymph’s signing for the same region.
Takeaways
Mynolia’s path here wasn’t built on a viral moment, it’s an accumulation: a compilation debut via a respected indie label, two self-taught years of production in a cabin, and now a fresh UK label deal.
That slow-build, distinctive-sound profile is exactly what Stuart Kennedy has been stacking at ROAM this year, pairing atmospheric folk acts with the touring infrastructure to actually grow in Europe.
Will “Run Like Hell” be the moment that gets Mynolia real festival traction across Europe? Does her transatlantic, multi-national backstory set her apart in an increasingly crowded folk scene? Is ROAM quietly becoming the go-to agency for genre-blurring, mystic-leaning folk artists?
