- Miami-based EDM DJ and producer BORGEOUS has signed with CS3 Agency for worldwide live music and touring representation.
- Agents Corey Koyama and Conor Sheldon will handle booking duties at CS3, effective now.
- BORGEOUS moves to CS3 from UTA, where he previously held booking representation.
- CS3 recently added Croatian model-turned-DJ Ivana Knoll to its roster.
BORGEOUS, the Miami-born DJ and producer known for international smashes like “Tsunami” and “Stampede,” has signed with boutique talent firm CS3 Agency for worldwide live music and touring representation. Agents Corey Koyama and Conor Sheldon will oversee his booking going forward.
BORGEOUS, born John James Borger Jr., broke through in 2013 with “Tsunami,” a collaboration with Canadian duo DVBBS that topped the Beatport charts and later hit No. 1 on the UK Singles Chart with a remix featuring Tinie Tempah.
He followed that with “Stampede” alongside Dimitri Vegas & Like Mike, scoring back-to-back Beatport No. 1s. He also released “Invincible” in 2014, featuring future pop star Julia Michaels. He previously held booking representation with UTA.
BORGEOUS now lands at CS3, a next-generation boutique agency founded by Conor Sheldon in May 2020 following a 13-year run at WME. The agency has been quietly expanding its electronic and DJ roster, most recently signing Ivana Knoll for live music representation.
BORGEOUS currently holds 2 million Spotify listeners and 367K Instagram followers. The move is also in step with a broader wave of DJ roster shifts across agencies, with TWO LANES recently inking new representation deal with ROAM.
Takeaways
This signing says a lot about where boutique agencies are headed. CS3 isn’t collecting names, they’re building a targeted roster of DJ and electronic acts with real touring infrastructure behind them.
Signing BORGEOUS, an artist with international chart pedigree and over a decade of festival-stage experience, is a statement of intent. It also shows that established artists aren’t always best served by the biggest agencies; sometimes a leaner, more focused shop gets more done.
Does moving from a global giant like UTA to a boutique like CS3 signal BORGEOUS is entering a new, more intentional phase of his career? Can CS3 leverage BORGEOUS’s existing international fanbase, particularly across Europe and the UK where “Tsunami” was massive, to open up new touring markets?
