- Ana Mena has signed an exclusive global management deal with Walter Kolm Entertainment (WKE), with Walter Kolm personally overseeing her career strategy.
- WKE will handle touring, brand partnerships, media opportunities, and international expansion, while EB Producciones stays on for live music and touring representation.
- Mena boasts over 6 million monthly Spotify listeners, 1.2 billion cumulative streams, five No. 1 singles on Spanish radio, and 70 Platinum and 16 Gold certifications globally.
- The signing adds a major European pop star to WKE's Latin-heavy roster, which includes Carlos Vives, Farruko, Prince Royce, Emilia, and Morat.
Spanish singer, songwriter, and actress Ana Mena has signed an exclusive global management deal with Walter Kolm Entertainment (WKE), with the company set to oversee her global career strategy, including touring, brand partnerships, media opportunities, and international expansion.
Walter Kolm, who manages artists including Carlos Vives, Emilia, Farruko, Prince Royce, and Morat, welcomes Mena to the WKE family. WKE has been on a signing streak, most recently bringing on Farruko in a co-management deal with Massivo Entertainment earlier this year.
Mena was previously managed by José Luis de la Peña, and before that Newco Management. For live and touring representation, she continues her relationship with EB Producciones CEO Eduardo Basagaña.
Mena has achieved five No. 1 singles on Spanish radio, over 6 million monthly Spotify listeners, and more than 1.2 billion cumulative streams across DSPs. As of 2023, she had accumulated a Diamond certification in France, plus 47 Platinum and 5 Gold certifications across Italy and Spain.
Her 2025 singles Lárgate and Por Tu Calle, along with her 2026 Ídolos soundtrack contribution, show she’s maintaining a steady release pace heading into this new chapter.
Similar to how Dani DiCosta recently secured new management to sharpen her career positioning, Mena is making a strategic move to consolidate her global push with one of Latin music’s most respected management outfits.
Takeaways
This is a significant repositioning move. Ana Mena has been a dominant force in Spain and Italy, but her numbers in Latin America and beyond are still climbing.
Bringing in Walter Kolm, whose track record of building artists into genuine global commodities is hard to argue with, signals that Mena and her team are done playing it regionally.
The retention of EB Producciones for live and touring tells you this isn’t a full reset; it’s a targeted upgrade in global strategy.
Can WKE crack the US Latin market for a Spanish-language pop artist who’s built primarily on European streaming success? Could an English-language project be the next logical step, now that she has a US-based management powerhouse behind her?
