Celebrity Name: Moses Ingram
New Company: United Talent Agency (UTA)
Primary Agents: Blair Kohan, Danie Streisand, Houston Costa, Rachel Viola, Yasmine Pearl
Department: All Areas (Film, Television, Theatre)
Previous Company: Innovative Artists
Territory: Global
- Emmy-nominated actress Moses Ingram expands representation by signing with UTA for all areas while continuing with management companies Linden Entertainment and The Lede Company.
- Strategic agency move comes on heels of high-profile projects including Kathryn Bigelow’s Netflix thriller “House of Dynamite” and HBO’s critically acclaimed comedy series “I Love LA,” both released in 2025.
- UTA representation led by five agents: Blair Kohan, Danie Streisand, Houston Costa, Rachel Viola, and Yasmine Pearl, positions Ingram for expanded film, television, and theatrical opportunities.
- Career-defining breakout role in “The Queen’s Gambit” (2020) launched Ingram into prominence, and she has since appeared in prestigious projects spanning indie drama to major studio productions and critically acclaimed series.
Moses Ingram has signed with UTA for representation in all areas. The move represents a significant expansion of representation for the Emmy-nominated performer, who continues her existing relationships with Linden Entertainment and The Lede Company for management.
Ingram had her breakout role in Netflix’s 2020 limited series “The Queen’s Gambit,” earning an Emmy nomination for playing the supporting role of Jolene opposite Anya Taylor-Joy’s Beth. Since then, her career has flourished across multiple mediums.
She has played supporting roles such as Lady Macduff in Joel Coen’s 2021 film “The Tragedy of Macbeth,” Reva Sevander in Disney+’s 2022 limited series “Obi-Wan Kenobi,” and Cleo Johnson opposite Natalie Portman’s Maddie Schwartz in the Apple TV limited series “Lady in the Lake.”
Most recently, in 2025, she appeared in Kathryn Bigelow’s political thriller film “House of Dynamite” as FEMA director Cathy Rogers and chef Tessa in Rachel Sennott’s HBO comedy series “I Love LA.” The latter has already received critical acclaim, with reviews calling it one of the funniest shows of 2025.
Ingram, who is of African American heritage, was born on February 6, 1994 in Baltimore. She is a graduate of the Yale School of Drama, where she starred as Viola in “Twelfth Night” and Cynthia in “Sweat” and earned the Princess Grace Award and the Herschel Williams Prize.
Before her major screen breakthrough, she built her reputation as a serious performer through distinguished theater work that established her versatility and commitment to her craft.
Ingram joins a roster of talented actors recently expanding their representation with major agencies including Robert Rausch and Nataly Aukar.
Takeaways
This UTA signing is a major milestone for Ingram, signaling the agency’s confidence in her versatility and bankability across commercial and prestige projects.
After establishing herself as a serious dramatic actress through acclaimed performances in everything from Netflix limited series to Joel Coen’s films, Ingram is now positioned to land larger roles and lead opportunities.
UTA’s deep relationships with studios and streamers give her access to a broader slate of projects, and more importantly, a seat at the table for high-profile casting decisions.
The fact that she maintains her existing management team while adding UTA suggests a strategic evolution rather than a rebrand. Linden Entertainment and The Lede Company clearly understand her brand and have helped navigate her rise; UTA adds firepower for negotiating bigger deals and opening doors at the studio level.
For an actress who’s proven she can hold her own opposite A-list talent (Natalie Portman, Denzel Washington via “The Tragedy of Macbeth”) and shine in ensemble casts, this representation upgrade feels like a natural next step toward leading roles in major productions.
What kind of roles should Moses Ingram prioritize now that she has UTA behind her? Could this deal position her as the next awards‑season staple on both film and streaming?
