- Chicago singer, poet, and songwriter Jamila Woods has signed with Red Light Management for music management.
- Industry managers Noelle Panepento and Alex Kadvan will handle Woods’ day-to-day management.
- Woods keeps the rest of her core team in place, retaining ROAM for live representation and Biz3 for public relations.
- The signing expands Red Light Management's diverse roster following several prominent cross-genre management additions.
Acclaimed Chicago singer, songwriter, and poet Jamila Woods has officially joined Red Light Management. Managers Noelle Panepento and Alex Kadvan will spearhead management duties for Woods as she enters the next stage of her career.
Woods first emerged as a prominent voice in contemporary soul and R&B through standout collaborations with artists like Chance the Rapper and Macklemore.
She quickly became a solo force with her breakout albums HEAVN and LEGACY! LEGACY!, earning praise for her sharp lyricism and deep community roots.
Following the release of her 2023 album Water Made Us, Woods spent recent years building momentum on the road, completing global tours and delivering memorable performances at festivals including Pitchfork Music Festival, Crossing Border, and Treefort Music Fest.
While Woods brings in new managerial leadership, her wider representation team remains stable. The move follows her signing with ROAM for worldwide touring and live bookings, alongside her continued, longtime public relations partnership with Biz3.
For Red Light Management, adding Woods reinforces the company’s commitment to genre-spanning talent. The firm has made several additions to its management roster, recently signing Dan + Shay alongside rising indie band The Braymores.
Takeaways
Signing with Red Light Management signals that Jamila Woods is ready to scale her career while protecting the distinct artistic independence she has cultivated for a decade.
While Woods already commands immense critical respect, aligning with managers Noelle Panepento and Alex Kadvan gives her the operational leverage of a global management powerhouse.
Notably, Woods avoided a total overhaul of her business by keeping both ROAM and Biz3 in place, ensuring seamless continuity for her live touring and media strategy.
This calculated move gives Woods the enterprise backing needed to pursue cross-disciplinary opportunities, such as film scoring, publishing, and larger festival billings, without diluting her creative voice.
Will Red Light Management help Woods expand beyond traditional music into theatrical, literary, and multimedia ventures? Does this management shift indicate that Woods is laying the groundwork for a major new album rollout? Could we see Woods collaborate across genres with other prominent acts on the Red Light roster?
