Raquelle David Launches New Story To Champion Global Filmmakers

April 1, 2026
In categories:

Executive Name: Raquelle David

New Company: New Story (Management & Production Company)

Department: Literary Management & Production

Previous Company: Lit Entertainment Group

Territory: Primarily Los Angeles–based, working across North American and international markets

  • Raquelle David is opening the doors to New Story, a new management and production company focused on building bold, filmmaker-driven film and television with a global perspective.
  • David is passionate about championing distinctive voices, particularly women and underrepresented creatives, as well as international filmmakers whose stories resonate on a global scale.
  • An Australian native with an international career spanning nearly two decades, David began her career in independent film and TV across Australia and Canada before transitioning into literary management.

Raquelle David has announced the launch of New Story, a new management and production company dedicated to supporting filmmaker-driven storytelling.

The Los Angeles-based executive brings nearly 20 years of experience spanning production, development, and literary management across Australia, Canada, and the United States.

Previously at Lit Entertainment Group, David established her reputation identifying and nurturing distinctive creative voices. Her impressive client roster includes award-winning directors and writers whose projects have premiered at prestigious festivals and streamed on Netflix, HBO, and Hulu.

Her clients include Grayson Moore (Cardinals), Perry Blackshear (They Look Like People), Aislinn Clarke (Fréwaka), Kathy Charles (Jakob’s Wife), Brandon Espy (Hulu’s Mr. Crocket), Adam J. Graves (Netflix’s Anuja), Amos Mac (HBO’s Gossip Girl), Johnny Ma (Cannes Film Festival’s To Live to Sing), and Dani Parker (Netflix’s Midnight Mass).

David shared her vision: “I’ve been building toward this for a long time. After nearly two decades working across development, production and management, it felt like the right moment to create a company that reflects the kind of storytellers I want to support. I’m passionate about championing distinctive voices, particularly women and underrepresented creatives, as well as international filmmakers whose stories resonate on a global scale.”

New Story specializes in horror, sci-fi, and thriller content with commercial appeal and international relevance.

The launch mirrors a broader trend of talent‑forward ventures, including management expansions like Scott Borchetta’s new division at Borchetta Entertainment Group.

Takeaways

This move signals a significant shift in independent production leadership. David’s launch of New Story reflects the growing demand for management companies that prioritize diverse storytelling beyond traditional studio systems.

Her experience nurturing breakthrough directors, many of whom have recently landed major streaming deals and festival nominations, positions her to identify emerging talent before it reaches mainstream visibility.

This venture could reshape how independent filmmakers access development resources and global distribution opportunities.

How might New Story’s genre specialization (horror, sci-fi, thriller) give it a competitive edge in an oversaturated production landscape? How does David’s global perspective, shaped by her Australian and Canadian roots, differentiate her from traditionally US-focused producers?

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