- Melodic electronic producer OURSON has signed with boutique booking agency Outer/Most for exclusive worldwide live representation.
- Outer/Most founder and agent Todd Walker will oversee worldwide touring strategy, live club bookings, and festival appearances.
- The signing follows OURSON's 2026 album Nothing Hurts Like Everything and the inclusion of his track "Hideaway" on the Netflix series Emily in Paris.
- The deal continues Outer/Most’s 2026 agency growth, building on recent signings across electronic, jazz, and instrumental music.
Montreal-based melodic electronic producer OURSON has signed with boutique booking agency Outer/Most for exclusive worldwide live touring representation. Agency founder and agent Todd Walker will direct global booking strategy for the artist.
Created by French-born producer Dimitri, OURSON blends emotive piano arrangements with atmospheric electronic production. His project has built an international following of over 680,000 monthly listeners on Spotify through tracks such as “Wish You Were Here,” “Follow the Feeling,” and a creative collaboration with astrophysicist Hubert Reeves.
OURSON also gained mainstream sync attention when his record “Hideaway” was featured on the soundtrack of the hit Netflix series Emily in Paris.
The partnership arrives during an active release period for the producer. Following his 2024 EP Times I’ve Missed and 2025 album Vast Unknown, OURSON released his 2026 studio album Nothing Hurts Like Everything, supported by singles like “Forevermore” and “I Will Dream It.”
Before joining Outer/Most, OURSON operated as an independent, self-represented live act. The agreement marks his first formal global booking deal, establishing a dedicated framework to build international live shows and festival appearances.
The addition highlights Outer/Most’s continued 2026 expansion, following Americas representation deals for dance project Lynnic and ItsArius and worldwide signings with both Brazilian guitarist Fabiano do Nascimento and jazz-funk veterans Soulive.
Takeaways
OURSON’s shift from self-representation to a dedicated global agency highlights how streaming-first electronic projects are prioritizing specialized live infrastructure.
While major corporate agencies often prioritize commercial radio acts and stadium headliners, boutique agencies like Outer/Most thrive on curated, experiential live models.
Outer/Most has proven adept at placing instrumental and melodic producers into performing arts centers, boutique festivals, and immersive club spaces.
Partnering with Todd Walker gives OURSON direct access to global promoter networks while maintaining the artistic focus that defines his atmospheric sound.
Which international boutique festivals would offer the ideal environment for OURSON’s cinematic soundscapes? How will Outer/Most’s focus on ambient, jazz, and crossover acts help position OURSON against mainstream dance producers?
