- Carrie-Anne Moss has signed with Verve Talent & Literary Agency for theatrical representation across film and television.
- Agents Ryan Muckenthaler and Sean Grumman will lead her representation team at the agency.
- Moss retains her management team at The Burstein Company and her public relations firm Viewpoint.
- The move comes ahead of her fall 2026 mystery series Yaga, reflecting Verve’s continuous expansion into veteran screen stars.
Carrie-Anne Moss has signed with Verve Talent & Literary Agency for theatrical representation in film and television. Agents Ryan Muckenthaler and Sean Grumman lead her agency team.
Moss achieved worldwide acclaim playing the iconic hacker Trinity in The Matrix saga, later reprising the role in The Matrix Resurrections. Her acclaimed career spans standout roles in Christopher Nolan‘s neo-noir Memento, Marvel’s Jessica Jones, and the Star Wars mystery thriller The Acolyte.
Recently, she headlined the horror-thriller Die Alone, which made its world premiere at the Cinéfest Sudbury International Film Festival.
She also serves as executive producer and star of the supernatural series Yaga, selected for the Toronto International Film Festival’s Primetime lineup before its premiere on Crave and AMC+.
Before signing with Verve, Moss was represented by The Gersh Agency and previously by WME. She maintains long-standing stability across the rest of her career team by continuing with manager The Burstein Company and publicity firm Viewpoint.
The signing reflects Verve’s sustained push into theatrical talent representation, steadily drawing established film and television actors. Recent strategic moves include adding Scott Eastwood to bolster its action-star lineup and bringing on Damon Wayans to reinforce its broadcast television roster.
Takeaways
Carrie-Anne Moss moving to Verve showcases a deliberate career pivot that many seasoned franchise stars are choosing today.
Rather than staying within the crowded halls of legacy mega-agencies, established actors are actively prioritizing nimble, packaging-driven firms. Verve’s core strength originated in its literary department, which connects directly to working screenwriters, directors, and fresh source material.
For an actress like Moss, who is expanding her work as an executive producer on upcoming projects like Yaga, direct access to writers and creators can create custom roles rather than having her wait for open casting calls.
Working with agents like Ryan Muckenthaler and Sean Grumman gives her high-touch focus, allowing her to balance major studio franchises with author-driven television and independent cinema.
Will Verve pair Moss directly with their internal roster of screenwriters to develop original intellectual property tailored around her? Does her agency switch indicate an even larger transition into producing and directing behind the camera? How might Verve package Moss’s upcoming releases to land major multi-season streaming and premium cable deals?
