- Reece Feldman, the film and entertainment content creator behind the viral handle @guywithamoviecamera with over 3 million followers, has signed with Creative Artists Agency (CAA) for Film/TV theatrical representation.
- Feldman follows his longtime agent Rebecca Rusheen to CAA, who made her own move from The Gersh Agency to CAA's Creators division in April 2026.
- Feldman landed on TIME's 100 Creators of 2025 list and premiered his debut short film Wait, Your Car? at the 2025 Cannes Film Festival in partnership with TikTok.
- He continues with ID Public Relations for publicity.
Reece Feldman, the content creator known as @guywithamoviecamera, has officially signed with Creative Artists Agency (CAA) for Film/TV theatrical representation, with agent Rebecca Rusheen leading his career at the agency.
Feldman built his following working as a production assistant on Amazon’s The Marvelous Mrs. Maisel, turning on-set access into a 3-million-strong audience across platforms. He has since become a go-to creator partner for major studios and award shows including the Oscars, Emmys, and Golden Globes.
In 2025, he was named to TIME’s 100 Creators list and wrote and directed his debut short film Wait, Your Car?, which premiered at the Cannes Film Festival as part of TikTok’s official festival partnership, starring Whitney Peak and Ruby Cruz.
The signing is a direct continuation of his relationship with Rusheen, who represented him at The Gersh Agency before making her own move to CAA’s Creators division in April 2026.
CAA has been aggressively building its Creators roster, recently signing digital entrepreneurs like Alex Hormozi and gaming and streaming personality QTCinderella as part of its broader push to bridge traditional entertainment and digital-native talent.
Feldman continues with ID Public Relations for publicity.
Takeaways
This signing is more than a roster update, it’s a blueprint for how the next generation of Hollywood talent is being built.
Feldman didn’t come up through traditional casting pipelines; he came up through a phone camera on a TV set and turned it into a media career that now commands the same representation infrastructure as established film and TV stars.
The fact that Rusheen took him with her from Gersh to CAA says everything about how seriously the industry now views creator-to-filmmaker transitions.
And CAA landing him, fresh off a Cannes debut, a TIME100 credit, and deep studio relationships, signals that the agency isn’t just interested in creators with followers; it wants creators with real industry infrastructure and trajectory.
Will Feldman’s CAA signing fast-track his pivot from content creator to narrative filmmaker? Is the era of creators needing separate representation structures from traditional talent officially over?
